Why it matters that the January 6 hearings put ‘a war scene’ on display

Why it matters that the January 6 hearings put ‘a war scene’ on display

Jamelle Bouie writes:

We already know about — we already saw with our own eyes — the assault on the Capitol, the threats against the vice president and the heroism of the Capitol Police. And we know, or at least some of us know, that Jan. 6 was just the beginning and that Trump has continued to use all the power and influence at his disposal to put pro-coup Republicans on the ballot in as many states as possible. The insurrection may be over, but the plot to steal the presidency is intact.

If all of this is already in the public record — if all of it is already part of our public knowledge — why bother with hearings?

The right answer, I think, is spectacle.

Most political theater is tedious and partisan. Cheap meat for a hungry base. But there are times when these theatrics can serve a real purpose for the public at large.

In an article in the Fordham Law Review, Josh Chafetz — a law professor at Georgetown — makes a novel distinction between traditional congressional oversight and what he terms congressional “overspeech.”

Oversight is (or at least is supposed to be) about good-faith fact-finding for the sake of public accountability — a central part of Congress’s role as it has developed over time. In this view, Chafetz writes, oversight hearings should be “primarily receptive in nature,” aimed at “drawing out new facts or at least new implications of old facts.”

Overspeech, by contrast, is the “use of the tools of oversight” for performance, spectacle and theatricality. Overspeech is used to communicate directly to the public, to make an argument and to shape its views. It is a form of mass politics, in which “overspeakers” tailor their approach “to the media environment in which they operate” and “shape their behavior as to increase the likelihood of favorable coverage.”

If oversight is meant to be the bloodless investigation of facts, then overspeech, Chafetz writes, is defined by its “performative elements, ranging from casting to scripting, from scenery to costuming, all of it aimed at more effectively communicating a public message.”

Because it is often partisan, overspeech is also intentionally and deliberately divisive. And while this might seem to put it in conflict with the goal of public persuasion, Chafetz argues that the reality isn’t so simple. “In October 1973, the first votes in the House Judiciary Committee on matters related to impeachment were strong party-line votes,” he writes. “Nine months later, six of the committee’s seventeen Republicans voted for the first article of impeachment.” What started as a partisan issue, he continues, “became something else over time.” [Continue reading…]

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