Planets, stars, life, even the direction of time all depend on disorder. And we human beings as well. Especially if, along with disorder, we group together such concepts as randomness, novelty, spontaneity, free will and unpredictability. We might put all of these ideas in the same psychic basket. Within the oppositional category of order, we can gather together notions such as systems, law, reason, rationality, pattern, predictability. While the different clusters of concepts are not mirror images of one another, like twilight and dawn, they have much in common.
Our primeval attraction to both order and disorder shows up in modern aesthetics. We like symmetry and pattern, but we also relish a bit of asymmetry. The British art historian Ernst Gombrich believed that, although human beings have a deep psychological attraction to order, perfect order in art is uninteresting. ‘However we analyse the difference between the regular and the irregular,’ he wrote in The Sense of Order (1979), ‘we must ultimately be able to account for the most basic fact of aesthetic experience, the fact that delight lies somewhere between boredom and confusion.’ Too much order, we lose interest. Too much disorder, and there’s nothing to be interested in. My wife, a painter, always puts a splash of colour in the corner of her canvas, off balance, to make the painting more appealing. Evidently, our visual sweet-spot lies somewhere between boredom and confusion, predictability and newness.
Human beings have a conflicted relationship to this order-disorder nexus. We are alternately attracted from one to the other. We admire principles and laws and order. We embrace reasons and causes. We seek predictability. Some of the time. On other occasions, we value spontaneity, unpredictability, novelty, unconstrained personal freedom. We love the structure of Western classical music, as well as the free-wheeling runs or improvised rhythms of jazz. We are drawn to the symmetry of a snowflake, but we also revel in the amorphous shape of a high-riding cloud. We appreciate the regular features of pure-bred animals, while we’re also fascinated by hybrids and mongrels. We might respect those who manage to live sensibly and lead upright lives. But we also esteem the mavericks who break the mould, and we celebrate the wild, the unbridled and the unpredictable in ourselves. We are a strange and contradictory animal, we human beings. And we inhabit a cosmos equally strange. [Continue reading…]