In conversation at the Hay Festival in Wales this May, the English poet Simon Armitage made an arresting observation. Discussing the nature of language and why it is so good at capturing the experience of being alive, he said: ‘My feeling is that a lot of the language that we use, and the best language for poetry, comes directly out of the land.’ Armitage was placing himself within the Romantic tradition’s understanding of the origins of language, which argues that words and grammar are not the arbitrary inventions of human brains and minds, but are rather suggested to human beings by nature and the cosmos itself. Language is an excellent way to understand the Universe, because language springs from the things it describes.
The English philosopher Owen Barfield, a member of the Oxford Inklings in the 1930s and ’40s, whose work as a philologist convinced him that the Romantic tradition was broadly right, put it succinctly. Words have soul, he said. They possess a vitality that mirrors the inner life of the world, and this connection is the source of their power. All forms of language implicitly deploy it. Poets are arguably more alert to it because they consciously seek it out.
It’s an insight with radical implications for theories about the origins of language, primarily because the dominant hypotheses in modern science regard words very differently, as soulless signs that act as labels for objects and symbols that facilitate cognitive agility. [Continue reading…]