For Rachel Carson, wonder was a radical state of mind
By Jennifer Stitt In 1957, the world watched in wonder as the Soviet Union launched Sputnik 1, the first artificial satellite, into outer space. Despite Cold War anxieties, The New York Times admitted that space exploration ‘represented a step toward escape from man’s imprisonment to Earth and its thin envelope of atmosphere’. Technology, it seemed, possessed the astonishing potential to liberate humanity from terrestrial life. But not all assessments of Sputnik were so celebratory. In The Human Condition (1958), the…