Ali Rıza Taşkale writes:

In January 2026, Elon Musk stood before the US Secretary of Defense and senior Pentagon leaders at the SpaceX Starbase in Texas. ‘We want to make Star Trek real, OK?’ he declared. ‘We want to make Starfleet Academy real. So that it’s not always science fiction, but one day the science fiction turns to science fact, and we have spaceships going through space. Big spaceships!’ He painted a vivid picture: exploring alien civilisations, humanity spreading across the stars. ‘That’s the goal!’ he concluded. ‘And that is what I think the public thinks of when they think of Space Force!’

It was a remarkable pitch selling the Pentagon a science-fiction vision. Of course, the fit is partial, incomplete. Star Trek depicts a post-scarcity, post-capitalist society where money has been abolished and humanity works toward collective betterment. Gene Roddenberry’s Federation was built on principles of equality and exploration for the sake of knowledge, not profit or military dominance. Musk took the aesthetic – big spaceships, alien encounters, epic adventures – and left its political foundation. You don’t have to be a Trekkie to know that, in Star Trek, capitalism, nationalism and militarism have been left behind. Musk wants the Enterprise, but reimagined for the military-industrial complex.

In 2021, when Mark Zuckerberg announced Facebook’s rebrand to ‘Meta’, he took the name from Neal Stephenson’s novel Snow Crash (1992), which imagines the ‘Metaverse’: a virtual reality where people’s avatars navigate digital space.

But Snow Crash is one of the sharpest satirical novels of the past half-century. Stephenson wrote it as a warning: his Metaverse is a consolation prize for a society that has collapsed. The federal government has disintegrated; corporate franchises govern daily life; even pizza delivery has been privatised into a Mafia-run operation. The novel’s protagonist is a pizza deliveryman and part-time hacker whose sword-fighting avatar in the virtual world is the only place where dignity is available to him. Stephenson intended the contrast between digital glamour and material poverty to be horrifying. He saw it as a cautionary vision of where platform capitalism leads.

Zuckerberg’s presentation did not engage with any of this. The platform economy – where corporations are protected from democratic accountability while providing essential services – echoes Stephenson’s model precisely, and Zuckerberg read it as inspiration.

Steve Wozniak, Apple’s co-founder, gave expression to this ethos in 2017 when he said: ‘We are the people who make fantasies real.’ It sounds inspiring, but it is important to know which parts of those fantasies they’re choosing, and which parts they’re leaving out. [Continue reading…]