Music: Sidsel Endresen & Bugge Wesseltoft — ‘River’
Music: Andrew Cornish — ‘Vulture’
Music: Paolo Fresu, Richard Galliano, Jan Lundgren — ‘The Seagull’
Music: Little North — ‘Push’
Music: Paolo Fresu — ‘Obscene Boundaries’
Music: Andrew Cornish — ‘Falling Leaves’
Music: Andrew Cornish — ‘Yellow Beetle’
Music: Andrew Cornish — ‘Time Is Important’
Music: Rob Araujo — ‘Roll One Up, Homie’
Music: Tom Misch — ‘The Journey’
Music: Tom Misch — ‘Sunshine’
Music: Tom Misch — ‘I Wish’
Music: Rob Araujo — ‘Wavedash’
Music: Rob Araujo — ‘Nineteen’
With Beyoncé’s foray into country music, the genre may finally break free from the stereotypes that have long dogged it
Beyoncé and her husband, Jay-Z, at the 66th Grammy Awards on Feb. 4, 2024, in Los Angeles. Kevin Mazur/Getty Images By William Nash, Middlebury On Super Bowl Sunday, Beyoncé released two country songs – “16 Carriages” and “Texas Hold ‘Em” – that elicited a mix of admiration and indignation. This is not her first foray into the genre, but it is her most successful and controversial entry. As of last week, Beyoncé became the first Black woman to have a…
Music: Rob Araujo — ‘Hike’